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BACK TO THE BEDROOM by Janet
Evanovich
"Evanovich began her career as a romance author, and now that
she is a popular mystery writer, her earlier books are being rereleased.
Though Evanovich has matured as a writer, Back to the Bedroom is
still a fun, light romance, with many standard elements and a few
twists. Katherine and David are neighbors. They meet one day when
something is dropped through the roof of her townhouse and he comes
over to help. A romance follows quickly, even though they seem to
be opposites: she is a hard-working cellist and he appears to be
loafing around, living off his lottery proceeds. Meanwhile, Katherine
rents a room to a crusty old woman with a shotgun who is the prototype
for Grandma Mazur in the Stephanie Plum mysteries." –
Library Journal |
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GONE by Lisa Gardner
"A cop-and mainstay of the Connor-Quincy series (The Killing
Hour, 2003, etc.)-is kidnapped, but is it really for ransom? Usually
Rainie Connor is as saucy, savvy and sexy as the genre allows, but
she's not been herself recently. Actually, she's been a bundle of
seriously jangled nerves. As a result, we find her being nasty to
her lover/partner Pierce Quincy, and, even worse, seeking emotional
solutions in a bottle. And then, just like that, she's gone! The
Bakersville (Ore.) police find her car abandoned by the side of
a mountain road, engine still running, purse on the passenger's
seat, no sign of Rainie. Naturally, Quincy's distraught. He knows
how resourceful Rainie is, and it's hard for the ex-FBI profiler
to profile the kind of assailant who could have out-maneuvered and
disarmed the redoubtable Rainie-her ever-present Glock has disappeared
from her purse. Compounding Quincy's unsettlement is the realization
that as spouse surrogate he heads the official suspect list. That
changes when the ransom note arrives at the local newspaper. Now,
at least, it's clear to law enforcement that they have a kidnapping
on their hands. To Quincy, however, the paltriness of the number-$10,000-is
disturbing. What seems obvious to him is that Rainie's kidnapping
can hardly be about money. It's about something else, something-the
thought scares him-personal. As ever, Gardner is hot to plot, but
few are the twists fresh enough to counter been-there-read-that."
– Kirkus Reviews
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MAD RIVER ROAD by Joy Fielding
"In the nail-biting 18th suspense novel from Fielding (Puppet),
a trio of women trapped in a web of lies, danger and self-revelation
must confront their deepest fears. Lily and Emma, each a young mother
with an adorable young son, are carving out new lives in a depressing
Dayton, Ohio, neighborhood that caters to single mothers, while
Jamie, in Florida, is a 29-year-old single dealing with the recent
death of her mother and an affair with a married man who's been
hospitalized. Both Lily, an aspiring writer, and Emma, a compulsive
liar and shoplifter, struggle to recover from tragedies that led
both to assume new names. When a sexy but dangerous man Jamie meets
in a bar persuades her to quit her job and escape her perfectionist
sister, the pretty but insecure blonde winds up on a wild road trip
to Ohio that will inextricably link her fate with that of Lily and
Emma. Packed with breathless twists and turns, Fielding's latest
set of women in jeopardy excite and delight." – Publisher’s
Weekly
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ORDINARY HEROES by Scott Turow
"When retired newspaperman Stewart Dubinsky (last seen in 1987's
Presumed Innocent) discovers letters his deceased father wrote during
his tour of duty in WWII, a host of family secrets come to light.
In Turow's ambitious, fascinating page-turner, a 'ferocious curiosity'
compels the divorced Dubinsky to study his "remote, circumspect"
father's papers, which include love letters written to a fianc e
the family had never heard of, and a lengthy manuscript, which his
father wrote in prison and which includes the shocking disclosure
of his father's court-martial for assisting in the escape of OSS
officer Robert Martin, a suspected spy. The manuscript, hidden from
everyone but the attorney defending him, tells of Capt. David Dubin's
investigation into Martin's activities and of both men's entanglements
with fierce, secretive comrade Gita Lodz. From optimistic soldier
to disenchanted veteran, Dubin-who, via the manuscript, becomes
the book's de facto narrator-describes the years of violence he
endured and of a love triangle that exacted a heavy emotional toll.
Dubinsky's investigations prove revelatory at first, and life-altering
at last. Turow makes the leap from courtroom to battlefield effortlessly."
– Publisher’s Weekly |
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PRIOR BAD ACTS by Tami Hoag
"A simple court hearing explodes into a multifaceted case at
the start of this stunning meld of thriller and police procedural
from bestseller Hoag. Shortly after Minneapolis judge Carey Moore
decides that the many 'prior bad acts' of accused serial killer
Karl Dahl can't be used in his trial, Dahl escapes from jail and
someone attacks Moore. Homicide cops Sam Kovac and Nikki Liska,
introduced in Ashes to Ashes (1999), are assigned to protect the
judge, whom the police hate for her liberal views. Moore's disintegrating
marriage and her husband's shady business dealings lead the investigation
in new directions, while more murders exacerbate the hunt for Dahl.
Hoag, who began her career as a romance writer, has experimented
with several mystery subgenres. Here she stands above the competition,
creating complex characters who evolve more than those in most thrillers.
The breathtaking plot twists are perfectly paced in this compulsive
page-turner, which ends on a romantic note." – Publisher’s
Weekly |
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WICKETT’S REMEDY by Myla Goldberg
"Through narrative, authentic newspaper clippings, and fictional
correspondence, the author of the perfect Bee Season offers
an intimate view of the life of Lydia Kilkenny, a shop clerk and daughter
of Irish immigrants in South Boston in the early 20th century. She
marries Henry Wickett, a frail man from a well-to-do family who intends
to please his parents by becoming a doctor, although his fondest wish
is to be a journalist. Realizing that he can use his writing abilities
to help others, Henry spawns the idea of selling a package to the
sick that includes an elixir and an encouraging letter. The elixir,
created by Lydia, is meant to be a placebo; the letter is the thing
intended to heal. Enter World War I, a merciless flu epidemic, and
an opportunist in search of a product, and you have an epic story
that is sure to become a classic. Goldberg skillfully stitches together
the various pieces of a structurally complex novel, creating smooth,
durable, barely-there seams. Like Bee Season, this sorrowful,
humorous, and tender novel utterly satisfies. Congratulations to Goldberg
on another masterpiece; highly recommended." – Library
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